Excerpt // Miranda and the D-Day Caper by Shelly Frome

“Okay, I get it,” said Miranda, assuming it was playtime as always. “We’re double agents. You keep reading the paper and light a cigarette. A minute later, you toss the cigarette and leave the book of matches on the table with the coded inscription Moscow rules. That’s when I take it and slip away awaiting further instructions.”

This was flippant Miranda. The one with the short bob, over thirty, just trying to set the tone on this glorious Saturday in the Blue Ridge and ease out of it. But at the moment, playful Skip seemed to have lost his way. His eyes were bloodshot, underscored by dark circles. And the signature mischievous smirk on that sliver of a face had been replaced by a worrisome twitch.

Folding the newspaper, with his cornflower blue eyes still gazing into the distance, Skip said, “I don’t know, kiddo. I tell you, I just don’t know.”

“Which makes two of us. So tell me why you couldn’t simply e-mail me?”

“Why? Am I holding you up or something?”

“No, you’re not holding me up. Look, what do you say we cut to the chase? Glancing around, taking his sweet time, making sure no one was within earshot, Skip said, “All right.”

“From the top.”

“Okay. Like I indicated, I was filling in, got a break on a prestige AM station.”

Getting more anxious by the second, his lanky body beginning to twitch, Skip said, “So, when opportunity knocks, you seize the day. Right?”

“Out with it. I am still waiting.”

Scrunching forward this time, Skip said, “One night I started to wing it. No more of this ‘Yup, it’s midnight, folks. Some of these homespun Indiana tales should ease you right off to sleep.’ I was antsy. I’d had it with Russ Mathews who’d signed off that night right before me, sounding more and more like some fear monger back in the day.”

“And what day was that?”

“World War Two.”

More glancing around on Skip’s part. More checking the flow of visitors coming and going.

Getting antsy as well, Miranda said, “Will you get on with it? Is there an upshot in our future? ”

“I’m coming to it,” Skip said, looking right at her this time. “Right after my kazoo rendition of I dream about the moonlight on the Wabash, I lean into the mic and say, ‘Guess what? Ole Russ Mathews must be on to something. I’m talking the plot against America. So I tell the insomniacs all over the Liberty Broadcasting system that, at first, I thought Duffy was pulling down on the blinds out of longing.”

“Duffy?”

“Just your average ginger house cat, left alone, separated from other felines on the prowl. But I come home to my sublet and notice he’s perched in the exact same spot, his green eyes staring across the street. So, over the airwaves, I said, ‘What if I told you night people something was up in a dilapidated rooming house in Hoboken? Right across the river from the Big Apple?’” “That does it,” Miranda said, getting to her feet. “How am I supposed to follow this? When you’re ready to get to the point, let me know.”

“Wait a minute. Don’t you see?” said Skip, getting to his feet as well. “I stumbled onto something. Before you know it, my ratings are starting to climb. But since the weather’s getting warmer, those guys across the street aren’t scurrying in and out of the cold. They’re loitering by the stoop, glancing across the shadows. Next thing I know, I’m getting negative call-ins. Listeners telling me to knock it off or else. 

Undaunted, I tell everyone in radio-land what’s going on out there may have far-reaching consequences. Unless I intercept.”

“Oh, please,” said Miranda, walking away. “Listen to me.” Skip scurried over and held her arm. “I tell you, at the same time, those guys across the street were carting off concealed stuff.”

“I’m not listening anymore.”

“You’ve got to. You have obviously become a born tracker. Tracked down a poison pen perpetrator like the paper said.”

“Enough. Stop hyping everything up. Look at you. You’re coming down with full blown hysteria.”

“Exactly. Because it appears there’s no longer any line between entertainment and politics. While messing around, doing a take-off on Russ Mathews, and boosting my ratings, I may have stumbled onto an actual plot utilizing WW II codes.”

Excerpt from Miranda and the D-Day Caper by Shelly Frome.  Copyright 2020 by Shelly Frome. Reproduced with permission from Shelly Frome. All rights reserved.

This is a rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Shelly Frome. Two (2) winners will each win (1) Amazon.com Gift Card. The giveaway begins on May 1, 2020, and runs through June 2, 2020. Void where prohibited.

Shelly Frome is a member of Mystery Writers of America, a professor of dramatic arts emeritus at the University of Connecticut, a former professional actor, a writer of crime novels and books on theater and film. He is also a features writer for Gannett Media’s Black Mountain News. His fiction includes Sun Dance for Andy Horn, Lilac Moon, Twilight of the Drifter, Tinseltown Riff, Murder Run, Moon Games and The Secluded Village Murders. Among his works of non-fiction are The Actors Studio and texts on the art and craft of screenwriting and writing for the stage. Miranda and the D-Day Caper is his latest foray into the world of crime and the amateur sleuth. He lives in Black Mountain, North Carolina.

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